Solo exhibition by Vandy Rattana.
San Art is disappointed to announce that the below solo exhibition 'Bomb Ponds' has been cancelled due to government restrictions on exhibition licensing. We sincerely thank Vandy Rattana and SA SA BASSAC, Phnom Penh for their understanding at this difficult time.
San Art will remain open with its reading room and collection works on view for visitors.
Thanks from the San Art Team in Ho Chi Minh City.
San Art to host solo exhibition by Cambodian artist, Vandy Rattana. Exhibition on view from April 15 to May 6.
There is a Khmer proverb that says: You can hear something a thousand times and not know it, yet if you see it with your eyes just once, you know. - Vandy Rattana
Between 1964 and 1975 the United States of America military dropped 2,756,941 tons (230,516 sorties on 113,716 sites) of bombs across politically neutral Cambodia. This figure went unacknowledged until 2000 when Bill Clinton traveled to Vietnam and quietly released previously classified Air Force data on American bombings in former Indochina.
Dissatisfied with the level of documentation produced on the subject, Vandy Rattana traveled to the ten Cambodian provinces most severely bombed in the U.S. military campaign during the Vietnam War. Along the way, he engaged villagers in locating and testifying to the existence of the craters made by the bombings, known in the Khmer language as the “bomb ponds”.
The resultant work is a series of nine quiet, mysteriously serene landscape photographs and a confronting one-channel documentary film in which villagers describe their memories of the bombings as well as their relationship to the ponds today. The Bomb Ponds invites audiences to connect with both the fragility and the resilience of the people and the land, and to reconsider the historical thread of America’s actions during the Vietnam War and subsequently, similar acts of violence worldwide.
Born into the tenuous recovery period after the official fall of the Khmer Rouge, Vandy Rattana (b.1980 Phnom Penh) is concerned with the lack of physical documentation accounting for the stories, traits, and monuments unique to his culture. His serial work employs a range of analog cameras and formats, straddling the line between strict photojournalism and artistic practice.
San Art is pleased to host this artist’s first exhibition in Vietnam.
Selected exhibitions by Vandy Rattana:
The Bomb Ponds, Hessel Museum, NY (2010); Fire of the Year, The 6th Asia Pacific Triennial of Contemporary Art (APT6), Brisbane, Australia (2009); Walking Through, Sa Sa Art Gallery, Phnom Penh, Cambodia (2009); TADAIMA: Looking for Sweet Home, Kyushu University, Japan (2009); Magnetic Power, Asean-Korean Center, Seoul, Korea (2009); Forever Until Now: Contemporary Art From Cambodia, 10 Chancery Gallery, Hong Kong (2009); Another Asia, Noorderlicht Photo Festival, The Netherlands (2006).
This exhibition is hosted by San Art, Ho Chi Minh City and organized by SA SA BASSAC, Phnom Penh
Notes to Editor:
About SA SA BASSAC
SA SA BASSAC is a gallery and resource center dedicated to creating, facilitating, producing and sharing contemporary visual culture in and from Cambodia. www.sasabassac.com
About Sàn Art
Sàn Art is Vietnam’s most active, independent, artist-initiated, contemporary art space and reading room, based in Ho Chi Minh City. Established in 2007, sponsored in part by the Vietnam Foundation for the Arts, Sàn Art (‘san’ meaning ‘platform’) is dedicated to the exchange and cultivation of contemporary art in Vietnam. Supporting the country’s thriving artist community, Sàn Art provides exhibition space and educational programs, facilitating a meeting place for local and international creative engagement and exchange. www.san-art.org
Opening hours: 9.30am – 5.30pm, Monday – Saturday
Location: 3 Me Linh, Binh Thanh District, Ho Chi Minh City, Vietnam
For media enquiries and more information, please contact:
SA SA BASSAC
Tel: +855 (0)12507917
Vo Quynh Hoa
Tel: +84 8 3840 0898
Left: ‘Takeo’ 2009. Digital C print, 90 x 105cm, Edition 5 +AP
Download Press release here.