“We make use of the tree in all kinds of forms, physically and spiritually…We worship gods and ghosts that reside in and on the trees, but no one actually pays respect to the tree itself.” – Trần Thảo Miên
Our second artist-in-residence is Trần Thảo Miên, a Hanoi-based artist whose work approaches trees and other nonhuman beings through the Vietnamese belief “Van vat huu linh” (all beings are with souls).
In the process of material-based practices and experiments, Miên approaches arboreal and living creatures according to animism from an anthropological...
Queer Time and Space: Reading Group with Fiona Ngo
Date & Time: Tues, 14 Mar @4:00PM-7:00PM
Location: Sàn Art
Millenium Masteri,
Units B.16 & B.17
132 Ben Van Don, Ward 6, District 4,
Ho Chi Minh City, Vietnam
Language: English
We were so honoured to host Fiona Ngô at Sàn Art, who led a rich discussion of Gayatri Gopinath’s Unruly Visions, Elizabeth Freeman’s Time Binds, and Nguyen Tan Hoang’s short video PIRATED! (2000), guiding participants through conceptualizations of time, space, archives, and region, and how they are linked to trauma,...
Reading with Andrew Lam: Birds of Paradise Lost
Date & Time: Wed, 8 Mar @5:00PM-7:00PM
Location: Sàn Art
Millenium Masteri,
Units B.16 & B.17
132 Ben Van Don, Ward 6, District 4,
Ho Chi Minh City, Vietnam
Language: English
Sàn Art was pleased to host the reading session with Andrew Lam on his book, Birds of Paradise Lost, finalist for the California Book Awards.
The thirteen stories in Birds of Paradise Lost shimmer with humor and pathos as they chronicle the anguish, joy, and bravery of America’s newest Americans, the...
Open Call: Saigon-Leipzig Residency Exchange...
Altered States of Being | Performance Meditations: Artist Talk with Patricia Nguyễn
Date & Time: Wed, 22 Feb @5:00PM-7:00PM
Location: Sàn Art
Millenium Masteri,
Units B.16 & B.17
132 Ben Van Don, Ward 6, District 4,
Ho Chi Minh City, Vietnam
Language: English
“altered states of being | performance meditations” is an artist talk that delves into Patricia Nguyễn’s performance methods, where she engages with memory, cartographies of migration, dispossession, nation-building, and somatics to investigate processes of knowledge and historical production. She discusses the use of improvisation, archival research, sensorial...