A group showcase
Duration: 10.2020 — 12.2020
Location: Sàn Art
Millennium Masteri
Unit B6.17 & B6.16
132 Bến Vân Đồn, Ward 6, District 4,
Ho Chi Minh City, Vietnam
(enter from Nguyen Huu Hao side)
See the works here
Featuring a small melancholic picture of blurred collective memories by Yoo Soon-Mi; a photographic scene that captures a social order by Phan Quang; an object by Nguyen Thi Thanh Mai that illuminates the everyday medical invasion of female bodies; delicate deformations growing across a field of fertility figures by Le Hoang...
An end of A. Farm Season 1 festival
Opening: Saturday 18.05.19 @5:00pm – 10:30pm
Exhibition on view: Sunday 19th May – Wednesday 22nd May (inclusive) from 11am – 7pm
Location: A. Farm
96/1 Tan Thoi Nhat 6, District 12, HCMC
Free entrance
As A. Farm turns one, it’s fitting to muse on the lives of the resident artists that inhabit its space. Together they work alone in a semi-communal setting, each experimenting in their own personal laboratory, collectively inventing new patterns for living and creating with each other. They...
Nguyen Thanh Tuyen graduated in 2016 with a BA in Painting from the Ho Chi Minh City University of Fine Arts. His works were showcased twice at the Fine Arts Museum of Ho Chi Minh City in 2016 and 2017. He also participated in the Young Artists Biennale in 2017 and in A. Farm’s first group show All Animals Are Equal in 2018. In 2019 he was awarded a residency as part of A. Farm’s Season 1. For Tuyen, the studio is an intimate subject that provides his artistic experiments...
An open-studio event of Tuyen Nguyen, Alisa Chunchue, Lem Trag, Lananh Le, and Karen Thao La, Scott Anderson and Cora & Tilman
Opening: 17.02.2019@4:00pm
Location: A. Farm
96/1 Tan Thoi Nhat 6, District 12
A. Farm would like to invite you to IN PROGRESS #2, an open-studio event introducing the works of our Season 1 artists Tuyen Nguyen, Alisa Chunchue, Lem Trag, Lananh Le, and Karen Thao La, Scott Anderson and Cora & Tilman.
Occurring each Season, IN PROGRESS engages with the development of the artist’s practice rather than their...
